Wednesday, 5 November 2025

That terrible vestry meeting

 That terrible vestry meeting

i.m. Robert Jackson (1840-1914)

1. Before the meeting

(to Robert Jackson's tune for 'A lift on the way' by Edwin Waugh)


For leading the Oldham choir his portrait in oils

is in the town gallery, displayed on the walls;

his other choir, St Peter's, his father and he

successively will have served a Jackson century.

A Jackson century!

A Jackson century!

When Tom and Bob will have played a Jackson century!


For hymns he created new tunes by the score;

one pamphlet has fifty, another boasts of more,

named after midland towns, and southern on sea --

the high points in the Jackson century.

A Jackson century!

A Jackson century!

When Tom and Bob will have played a Jackson century!


His songs in the dialect of his Lancashire,

by Lancashire Burns, Edwin Waugh, do you hear?

'A lift on the way' is praised cheerily:

a touch of earth in the Jackson century.

A Jackson century!

A Jackson century!

When Tom and Bob will have played a Jackson century!

2. The meeting

The congregation's thanks

to the choir for services,

proposed by Mr Green,

told of lack of unity;

the seconding also

looked back to the glory days,

recalled the choir's old fame

Oldham-wide, Lancashire-wide,

the days when people came

drawn by music to the church.

Then Mrs Martland told

how, an old attender, she

had noted worsening, 

hymns as slow as funerals, 

the awful music why

no one in her family

would come to church with her.

Motion carried in the end.

Reporters please ignore --

it's a parish matter. 

SPLASH!

The Oldham standard filled

columns with the vestry row.

3. After the meeting

Who knows how Robert Jackson spent the night?

Widowed two years, so I suppose alone.

Late equinoctial was the dawn's first light. 

Who reflected on what they'd said and done?


By end May he'd resigned as organist.

The choir resigned in solidarity.

Press reports from the next year still exist:

functions were lost then back, apparently,


then stroke, speech lost, paralysed legs and side.

No hymns, no songs, no oratorio.

On Sunday the twelfth of July he died,

a broken no-man, nothing left to know.


His great age, some said. Really? Seventy-four?

Apologies won't cover words that killed.

Twenty-three days before the First World War.

The Jackson century seven years unfilled.



Robert Jackson was organist of St Peter's church, Oldham, from 1868 to 1913. He first came to my attention through my interest in hymn tunes named after places. You may recall my words to Jackson's tune 'Trentham'.

I wrote the present poem sequence for a reading organised by Love Mill Road in Cambridge, on the theme of 'Transformation'.

Thanks to Gallery Oldham and Oldham Local Studies and Archives for letting me see relevant materials. 

See YouTube for me performing this work, accompanied in the sung bit by Mike Cole; and for Robert Jackson's song with its original Edwin Waugh words, sung by members of the Edwin Waugh Society in an arrangement by Jim Molyneux.

Red (Westminster Bridge)

Red (Westminster Bridge)

“Earth has not anything to show more fair.”
Our bridge, from decades after Wordsworth wrote,
still sees triumphant uses of that quote —
marathon meets demo, Parliament Square.
Red London bus routes level by the ride.
Let’s think of them as one vast playing field.
Duchess Loelia stole a phrase to wield
(but would confess this guilt before she died),
linking red bus and failure. Yes, to her,
whose ducal marriage failed, that was a thing.
Not to me, pensioner, kidlike venturing
red routes across the Thames at Westminster,
her duchy. Red souvenirs gleam on a stall.
Red hearts mourn Covid levels from their wall.

Loelia Lindsay (1902-1993; Duchess of Westminster 1930-1947) is believed to have popularised the aphorism, originally coined by Brian Howard and often misattributed to Margaret Thatcher, “Anybody over the age of 30 seen in a bus has been a failure in life.”

This is another of my colour poems, and also another of my poems written for projects from 26 Characters. 26 Bridges celebrated the bridges over the Thames in London. Participants contributed written work, and were invited to choose artistic collaborators who would produce visual work to go alongside this. 

My artistic collaborator was Clare Trowell, and she made a fine print of Westminster Bridge with a red London bus crossing it. Early in the project I had noticed that Westminster bridge was crossed by five Transport for London routes. I explored these, making a list of bus-coloured things I'd seen on them.

The poem took its present direction after conversation with Clare T., and with my wife Clare. I'd been there before. And it developed, as 26 Characters poems are wont to do, in discussion with its project editor, in this case Wendy Jones.