Monday 23 March 2020

Final places of poetry

I put thirteen poems on the Places of Poetry map, and have so far blogged ten of them. Here are the remaining three.


LOOKING BACK

Centuries to keep
this castle state-of-the-art
that saw no action
till a Civil War slighting
felled its walls into the ground.

Our visit didn't
find the same guidebook as mine
nineteen years before,
but we both together thought
ruins of Cair Paravel.

I liked that guidebook's
leading me through room by time
then on to ramparts
for a vista of the whole.
That was in a work-bad year.


The castle in question is Helmsley Castle in North Yorkshire, and the guidebook that had so pleased me on an earlier visit is by Glyn Coppack.  

The poem was written in response to a prompt in Jo Bell's 52: write a poem a week. Start now. Keep going.  The prompt, in a chapter contributed by Helen Mort, was for a poem about a significant place out of doors.


MICHAEL DRAYTON AND I

(on reading Michael Drayton revisited by Jean Brink)

They tell us now that Polesworth never was
remembered village to the poet Drayton.
Move just a little, read him cause by cause,
and see the Goodere idyll first unstraighten,
then vanish like cloud-streets. I spurned the good
in my remembered village at first dare,
age five or six: replanned it new Nutwood,
gave people roles round me as Rupert Bear,
and told them so. But nobody enjoyed
co-option in this way by such a lad.
My parents were embarrassed and annoyed.
I had some explanation from my Dad.
Patrons miscast in myth and golden age;
Drayton did that, older than I, little more sage.


Polesworth is the Warwickshire village where Michael Drayton (1563-1631) may or may not have grown up. In 1580, he was in service to Thomas Goodere at Collingham in Nottinghamshire. Nineteenth and twentieth-century scholars, on the basis of scattered allusions, in his poems and dedications, to Polesworth and its River Anker, conjectured that he might have been intimate with the Polesworth branch of Goodere's family. Jean Brink's book, published in 1990, casts doubt on those speculations.

The poem was written in 2008, my entry in a competition for work to be included in the Polesworth Poets' Trail. Entering a poem on doubts about the basis for that enterprise wasn't really a good idea.

The third poem is a piece of reporting, written in 2004. 


AN ACCOUNT ON A TRAIN

The boys quizzed him about his family:
his sister, twenty-one, brother in prison
for murder, fifteen years, somehow missed thirty,
for a debt of around five hundred pounds –
a gang from Milton Keynes, and gypsies. Who owed whom?
which was which? "Gypsies, they're hard," the boys said.
That on my left, across the carriage. Rightwards,
window, and tracks, and other tracks disused,
with gantries over them, hanging no cables,
then trees between the gantries, then big trees.
Welcome to Northampton, home of the Saints.

An anti-Adlestrop! OK,
I know it happens every day,
but commonly when I'm not there;

excuse my noting it as rare.


I imagine I would irritate readers if I included explanations of Cair Paravel, Rupert Bear, and Adlestrop.  If you're reading this online, you can look them up there.